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The Woodlot
CANADIAN POETRY REVIEWS, INTERVIEWS & ESSAYS
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May 29, 2024
How in the Fire We Must Be: a review of Robert Colman’s Ghost Work (Palimpsest Press)
chrisbanks2015
May 20, 2024
‘Reality is always Virtual’: A Review of Matt Rader’s Fine (Nightwood Editions)
chrisbanks2015
May 6, 2024
One poet’s take on the restructuring of the Griffin Prize
chrisbanks2015
April 30, 2024
Day in the Life of a CanLit Publicist
chrisbanks2015
April 25, 2024
Blue Is The Colour Of: A Review Of Barbara Tran’s Precedented Parroting (Palimpsest Press)
conormcdonnell5e399d26f8
April 20, 2024
The Difference between Zest and Pith: A Review of Talking To Strangers by Rhea Tregebov (Véhicule Press)
chrisbanks2015
April 13, 2024
Muffled Voices and Broadcasting: A Review of Johanna Skibsrud’s Medium (Book*hug Press)
chrisbanks2015
April 10, 2024
The Poet At Sixty
chrisbanks2015
April 6, 2024
Telling it Slant: A Review of Kayla Czaga’s Midway
chrisbanks2015
April 3, 2024
Time Matters: Time and Chronology in Poetry
chrisbanks2015
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