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The Woodlot
CANADIAN POETRY REVIEWS, INTERVIEWS & ESSAYS
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May 29, 2024
How in the Fire We Must Be: a review of Robert Colman’s Ghost Work (Palimpsest Press)
chrisbanks2015
May 28, 2024
Sharp Strikes: Domenica Martinello’s Good Want (Coach House Books)
chrisbanks2015
May 22, 2024
Some Notes on Writing Haiku – Rob Taylor
chrisbanks2015
May 20, 2024
‘Reality is always Virtual’: A Review of Matt Rader’s Fine (Nightwood Editions)
chrisbanks2015
May 11, 2024
THe R VI W : A Review of The Work by Bren Simmers (Gaspereau Press)
chrisbanks2015
April 25, 2024
Blue Is The Colour Of: A Review Of Barbara Tran’s Precedented Parroting (Palimpsest Press)
conormcdonnell5e399d26f8
April 20, 2024
The Difference between Zest and Pith: A Review of Talking To Strangers by Rhea Tregebov (Véhicule Press)
chrisbanks2015
April 13, 2024
Muffled Voices and Broadcasting: A Review of Johanna Skibsrud’s Medium (Book*hug Press)
chrisbanks2015
April 11, 2024
Is It Real Or Is It Memorex?: Searching For The Authentic in Poetry
chrisbanks2015
April 10, 2024
The Poet At Sixty
chrisbanks2015
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