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The Woodlot
CANADIAN POETRY REVIEWS, INTERVIEWS & ESSAYS
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chrisbanks2015
September 28, 2024
‘A Fire In The Whole Idea’: A Review of Alice Burdick’s Ox Lost, Snow Deep (A Feed Dog Book 2024)
chrisbanks2015
September 24, 2024
New Day, New Sky, New Book: A Review of Brian Bartlett’s The Astonishing Room (Frontenac House, 2024)
chrisbanks2015
September 21, 2024
Grand Tuning and An Incongruous Discipline: A review of One River: New & Selected Poems by Ricardo Sternberg (Signal Editions)
chrisbanks2015
September 17, 2024
All The Credit: A Review of No Credit River by Zoe Whittall (Book*Hug 2024)
chrisbanks2015
September 13, 2024
The Review Is A Review Inside of You: Or, a review of The Sky Is A Sky In The Sky by Stuart Ross (Coach House Books 2024)
chrisbanks2015
September 10, 2024
Trading Poetics: A Review of Trading Beauty Secrets With The Dead by Erina Harris (Wolsak & Wynn 2024)
chrisbanks2015
September 8, 2024
Melanie Siebert, Signal Infinities (McClelland and Stewart, 2024)
chrisbanks2015
September 7, 2024
Referred to a [Poet]: A Review of A Fate Worse than Death by Nisha Patel(Arsenal Pulp Press, 2024)
chrisbanks2015
September 4, 2024
What’s The Story Memento Mori?: Poetry and Death
chrisbanks2015
September 3, 2024
The Personal Universe: A Review of Jes Battis’s I Hate Parties (Nightwood Editions 2024)
chrisbanks2015
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