The Woodlot

CANADIAN POETRY REVIEWS, INTERVIEWS & ESSAYS

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  • ‘Reality is always Virtual’: A Review of Matt Rader’s Fine (Nightwood Editions)
    May 20, 2024

    ‘Reality is always Virtual’: A Review of Matt Rader’s Fine (Nightwood Editions)

    chrisbanks2015
  • THe R VI W :  A Review of The Work by Bren Simmers (Gaspereau Press)
    May 11, 2024

    THe R VI W :  A Review of The Work by Bren Simmers (Gaspereau Press)

    chrisbanks2015
  • One poet’s take on the restructuring of the Griffin Prize
    May 6, 2024

    One poet’s take on the restructuring of the Griffin Prize

    chrisbanks2015
  • Day in the Life of a CanLit Publicist
    April 30, 2024

    Day in the Life of a CanLit Publicist

    chrisbanks2015
  • The Difference between Zest and Pith: A Review of Talking To Strangers by Rhea Tregebov (Véhicule Press)
    April 20, 2024

    The Difference between Zest and Pith: A Review of Talking To Strangers by Rhea Tregebov (Véhicule Press)

    chrisbanks2015
  • Muffled Voices and Broadcasting: A Review of Johanna Skibsrud’s Medium (Book*hug Press)
    April 13, 2024

    Muffled Voices and Broadcasting: A Review of Johanna Skibsrud’s Medium (Book*hug Press)

    chrisbanks2015
  • Is It Real Or Is It Memorex?: Searching For The Authentic in Poetry
    April 11, 2024

    Is It Real Or Is It Memorex?: Searching For The Authentic in Poetry

    chrisbanks2015
  • The Poet At Sixty
    April 10, 2024

    The Poet At Sixty

    chrisbanks2015
  • Telling it Slant: A Review of Kayla Czaga’s Midway
    April 6, 2024

    Telling it Slant: A Review of Kayla Czaga’s Midway

    chrisbanks2015
  • Time Matters: Time and Chronology in Poetry
    April 3, 2024

    Time Matters: Time and Chronology in Poetry

    chrisbanks2015
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The Wood-Lot is a space for Canadian poets to submit essays, both personal and poetic, and to enjoy in-depth, close reading reviews of the latest Canadian poetry collections to be published!

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