The Woodlot

CANADIAN POETRY REVIEWS, INTERVIEWS & ESSAYS

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Canadian poetry

  • “Twelve Poems Each, Three Times or: How I Arrived at Gridlock” by Spencer Folkins
    February 13, 2025

    “Twelve Poems Each, Three Times or: How I Arrived at Gridlock” by Spencer Folkins

    chrisbanks2015
  • Quiet City: Quicker Than the Eye, by Joe Fiorito
    February 5, 2025

    Quiet City: Quicker Than the Eye, by Joe Fiorito

    chrisbanks2015
  • The Ghost of Dean Young Compels me to Extol the Various and the Wild – by Catherine Owen
    January 28, 2025

    The Ghost of Dean Young Compels me to Extol the Various and the Wild – by Catherine Owen

    chrisbanks2015
  • History Written on the Skin: Scar Atlas by Colin Morton
    January 26, 2025

    History Written on the Skin: Scar Atlas by Colin Morton

    chrisbanks2015
  • Russell Thornton: Moments in Canadian Poetry
    January 3, 2025

    Russell Thornton: Moments in Canadian Poetry

    chrisbanks2015
  • Harold Rhenisch: The Poet Dances on the Blacksmith’s Anvil, Throwing Back His Hair
    January 2, 2025

    Harold Rhenisch: The Poet Dances on the Blacksmith’s Anvil, Throwing Back His Hair

    chrisbanks2015
  • How Nine Little Words Became The Loom
    November 24, 2024

    How Nine Little Words Became The Loom

    chrisbanks2015
  • No Vacancy For the Mad and the Lonely: On Writing The Sacred Heart Motel
    October 24, 2024

    No Vacancy For the Mad and the Lonely: On Writing The Sacred Heart Motel

    chrisbanks2015
  • Consistence
    October 7, 2024

    Consistence

    chrisbanks2015
  • New Day, New Sky, New Book: A Review of Brian Bartlett’s The Astonishing Room (Frontenac House, 2024)
    September 24, 2024

    New Day, New Sky, New Book: A Review of Brian Bartlett’s The Astonishing Room (Frontenac House, 2024)

    chrisbanks2015
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The Wood-Lot is a space for Canadian poets to submit essays, both personal and poetic, and to enjoy in-depth, close reading reviews of the latest Canadian poetry collections to be published!

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